Background[ edit ] The family of Hazlitt's father were Irish Protestants who moved from the county of Antrim to Tipperary in the early 18th century. Also named William Hazlitt, Hazlitt's father attended the University of Glasgow where he was taught by Adam Smith receiving a master's degree in
William Hazlitt English essayist, critic, and biographer. William Hazlitt was one of the leading prose writers of the Romantic period. Influenced by the concise social commentary in Joseph Addison's eighteenth-century magazine, the Spectator, and by the personal tone of the essays of Michel de Montaigne, Hazlitt was one of the most celebrated practitioners of the "familiar" essay.
Characterized by conversational diction and personal opinion on topics ranging from English poets to washerwomen, the style of Hazlitt's critical and autobiographical writings has greatly influenced methods of modern writing on aesthetics.
His literary criticism, particularly on the Lake poets, has also provided readers with a lens through which to view the work of his Romantic contemporaries.
Biographical Information Hazlitt was born in Wem, Shropshire, and educated by his father, a Unitarian minister whose radical political convictions influenced the reformist principles that Hazlitt maintained throughout his life.
In Hazlitt entered Hackney Theological College, a Unitarian seminary, where he studied philosophy and rhetoric and began writing the treatise on personal identity titled An Essay on the Principles of Human Action During this time Hazlitt began to question his Christian faith and, considering himself unsuited to the ministry, withdrew from the College and returned to Wem.
In Hazlitt was introduced to Samuel Taylor Coleridge whose eloquence and intellect inspired him to develop his own talents for artistic expression. Shortly afterward he followed Analysis of william hazlitts on going example of his older brother, John, and began to pursue a career as a painter.
Hazlitt lived in Paris and studied the masterpieces exhibited in the Louvre, particularly portraits painted by such Italian masters as Raphael and Leonardo, whose technique he adopted. Commissioned by Coleridge and William Wordsworth to paint their portraits, Hazlitt spent the summer of at their homes in the Lake District.
His political views and quarrelsome nature, however, offended the poets.
Moreover, his moral conduct was suspect, and his friendship with them ended when he was forced to leave the Lake District in fear of reprisals for his assault on a woman. As a painter, Hazlitt achieved little success. He moved to London in and began to direct his energies toward writing.
In London Hazlitt became a close friend of Charles and Mary Lamb, at whose weekly social gatherings he became acquainted with literary society.
Through the Lambs he also met Sarah Stoddart, whom he married in During this time Hazlitt wrote philosophical works that were criticized for their dense prose style. In Hazlitt began working as a journalist; he held the positions of parliamentary correspondent for the Morning Chronicle, drama critic and political essayist for Leigh Hunt's Examiner, and columnist for the Edinburgh Review.
The liberal political views expressed in Hazlitt's writing incurred resentment from the editors of and contributors to Tory journals such as Blackwood's Magazine and the Quarterly Review, who attacked Hazlitt's works and his character.
In Hazlitt published a collection of his lectures on English literature and in John Scott of the London Magazine invited him to contribute essays to a feature entitled "Table-Talk.
During this period of success, however, Hazlitt's marriage was failing and he became involved in an unfortunate affair with the daughter of an innkeeper.
He chronicled his obsession with this young woman in Liber Amoris ; or, the New Pygmalion After a divorce from his wife, Hazlitt entered into a second unsuccessful marriage with a rich widow.
He continued to write until his death inproducing numerous essays, a series of sketches on the leading men of letters of the early nineteenth century entitled The Spirit of the Ageand a biography of Napoleon Bonaparte Major Works Hazlitt's most important works are often divided into two categories: Of his literary criticism Hazlitt wrote, "I say what I think: I think what I feel.
I cannot help receiving certain impressions from things; and I have sufficient courage to declare somewhat abruptly what they are. This work introduces Hazlitt's concept of "gusto," a term he used to refer to qualities of passion and energy that he considered necessary to great art.
In accord with his impressionistic approach to literature, Hazlitt's concept of gusto also suggests that a passionate and energetic response is the principal criterion for gauging whether or not a work achieves greatness.
Hazlitt felt that Shakespeare's sonnets lacked gusto and judged them as passionless and unengaging despite the "desperate cant of modern criticism.
In the final section of Lectures on the English Poets he criticized Coleridge and Wordsworth, whose emphasis on nature and the common aspects of life acknowledged, in his view, "no excellence but that which supports its own pretensions.Hazlitt's "On Going a Journey" originally appeared in the New Monthly Magazine in and was published that same year in the first edition of Table-Talk.
'On Going a Journey' One of the pleasantest things in the world is going a journey, but I like to go by myself. Hazlitt's "On Going a Journey" originally appeared in the New Monthly Magazine in and was published that same year in the first edition of Table-Talk.
'On Going a Journey' One of the pleasantest things in the world is going a journey, but I like to go by myself. Immediately download the William Hazlitt summary, chapter-by-chapter analysis, book notes, essays, quotes, character descriptions, lesson plans, and more - everything you need for studying or .
The book is successful at so much of what it does that perhaps it is best to get a few critical quibbles immediately out of the way. Bromwich not only understands but also assimilates Hazlitt extremely well, and this book, much like Hazlitt’s best work, is filled with . On Going a Journey. William Hazlitt, New Monthly Magazine, January, ; Table Talk, One of the pleasantest things in the world is going a journey; but I like to go by myself.
I can enjoy society in a room; but out of doors, nature is company enough for me. - ANALYSIS Pact for travel website Our approach to design is an important part of the site interactive e-tourism, is that they focus on the user as possible.
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